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A matte finish takes the shine off a frame, so the shape has to do all the talking. On something the size of the Gopas, that is a good deal of shape.
The Gopas is Oliver Goldsmith's oversized aviator, the teardrop pulled wide and deep. Sunglasses as fashion were partly this house's idea. In the 1930s it was cutting coloured frames from the plastics button makers used. By the 1940s its sunglasses were appearing in Vogue.
Matte Tokyo black. Not subtle. That was never the intention.
Fit. A large seventies aviator. It sits wide at the temple and low on the cheek, so it wants room across the brow.
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